Online Music Distribution – How Much Exclusivity Is Needed?

Lieferzeit: Lieferbar innerhalb 14 Tagen

160,49 

A Study of International, European, German and U.S. Copyright Systems and Their Objectives, Munich Studies on Innovation and Competition 12

ISBN: 3662596989
ISBN 13: 9783662596982
Autor: Malevanny, Nikita
Verlag: Springer Verlag GmbH
Umfang: xxix, 423 S., 6 s/w Illustr., 8 farbige Illustr., 423 p. 14 illus., 8 illus. in color.
Erscheinungsdatum: 16.09.2019
Auflage: 1/2019
Produktform: Gebunden/Hardback
Einband: GEB

This book analyzes regulatory models established in the field of online music distribution, and examines their consistency with the overarching objectives of copyright law. In order to do so, the book takes a deep dive into the provisions of international treaties, EU Directives as well as the German and US copyright systems and case law. It subsequently scrutinizes the identified regulatory models from the standpoint of the copyright’s objectives with regard to incentives, rewards, a level playing field, and dissemination. Lastly, it endorses the improved market-based statutory license as a preferable instrument in the online music field. The book is intended for all readers with an interest in music copyright law. Part I will especially benefit copyright scholars and practitioners seeking in-depth insights into the current legal situation regarding streaming and downloading. In turn, Part II will above all appeal to scholars interested in „law and economics“ and in the theoretical foundations of online music copyright. Policy recommendations can be found in Part III.

Beschreibung

This book analyzes regulatory models established in the field of online music distribution, and examines their consistency with the overarching objectives of copyright law. In order to do so, the book takes a deep dive into the provisions of international treaties, EU Directives as well as the German and US copyright systems and case law. It subsequently scrutinizes the identified regulatory models from the standpoint of the copyright's objectives with regard to incentives, rewards, a level playing field, and dissemination. Lastly, it endorses the improved market-based statutory license as a preferable instrument in the online music field. The book is intended for all readers with an interest in music copyright law. Part I will especially benefit copyright scholars and practitioners seeking in-depth insights into the current legal situation regarding streaming and downloading. In turn, Part II will above all appeal to scholars interested in "law and economics" and in the theoretical foundations of online music copyright. Policy recommendations can be found in Part III.

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