Sabdagatitara (Sabdagatitara)

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How to Weave Musics: Essays 1996-2025

ISBN: 3955936112
ISBN 13: 9783955936112
Autor: Bhagwati, Sandeep
Verlag: Wolke Verlagsgesellschaft mbH
Umfang: 214 S.
Erscheinungsdatum: 04.05.2026
Auflage: 1/2026
Produktform: Kartoniert
Einband: Paperback
Altersangabe: Lesealter: 16-99 J.

Three decades of thinking, composing, and struggling toward a music beyond Eurocentric certaintiescondensed into a book that fundamentally reshapes the discourse on transcultural music-making. Sandeep Bhagwati, a composer working between Indian and German traditions, introduces a radically new concept with the Sanskrit neologism Sabdagatitarathe interweaving of sonic modes of movement. His essays, poems, and parables do not ask whether musical traditions should meet, but how this can happen without collapsing into exoticism, appropriation, or superficial fusion. Bhagwati dissects the hidden power structures of Western art music, which presents itself as universal while relegating other traditions to folkloristic footnotes. He describes himself as a native alienbelonging to many worlds, fully at home in noneand turns this in-between position into a source of uncompromising clarity. His call for a provincializing of European music opens up a view onto a rhizomatic network of equally valid practices, one that does not fear co-creative misunderstandings but embraces them as a productive force. An intellectually electrifying work that inseparably weaves together ways of thinking about music and the world.

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Artikelnummer: 1242320 Kategorie:

Beschreibung

How can music from different traditions be interwoven without appropriating one into the other? Sandeep Bhagwati explores this question through essays, poems, and parables spanning three decades. As a composer working between Indian and European sound worlds, he develops the concept of Sabdagatitarathe weaving of sonic modes of movementoffering a way of thinking beyond fusion and exoticism. Bhagwati reveals how Western art music derives its claim to universality from colonial structures, and shows that even the avant-garde often denies its own traditionality. He describes existence between cultures not as a loss, but as a sharpening of perception. His texts combine musicological analysis with autobiographical reflection, philosophical depth, and literary force. This book is a toolbox for anyone who seeks to understand music as a plural practicemusicians, curators, cultural scholars, and attentive listeners willing to leave behind familiar hierarchies of listening.

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