Beschreibung
Saul Kemack draws on the theories of Bernard Stiegler and Kati Röttger to examine live performance as a site for practicing dis-automation dramaturgy. Through a detailed phenomenological and intermedial study of Forced Entertainments Signal to Noise, the author explores how theatrical framing can expose the logics of digitally saturated life under hyper-industrial capitalism. Rather than claiming we can wholly resist such logics, his research reveals how art creates temporary interruptions - moments of reflection and reoriented sensibility - in the algorithmic flow. Saul Kemack is a writer, researcher, and dramaturg based in South Africa.
Herstellerkennzeichnung:
Nomos Verlagsgesellschaft mbH & Co. KG
Waldseestraße 3-5
76530 Baden-Baden
DE
E-Mail: nomos@nomos.de
