Beschreibung
On January 25, 1838, British actor William Charles Macready did the unthinkable: he performed Shakespeare's King Lear. Lear, as Shakespeare wrote it, had not been performed in Britain for over 150 years, after Nathum Tate rewrote the play to include romance and a happy ending. Critics of the time thought Shakespeare's play simply couldn't be done. Macreadys production proved them wrong and represented a turning point in the plays history, opening the door to the interpretations of Lear we know today. What did it take for Macready to return the original Lear to the stage? How did the 1838 production influence subsequent performances? What does it mean to adapt a classic story to modern times?
Autorenporträt
Emily graduated summa cum laude from the University of Pennsylvania with a major in English and minors in Theatre and French. Her research has been featured in the Penn History Review, as well as online at the University of Pennsylvania ScholarlyCommons. She currently lives in New York City.
