Transgressing Death in Japanese Popular Culture

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64,19 

ISBN: 303050882X
ISBN 13: 9783030508821
Autor: Cesar, Miguel
Verlag: Springer Verlag GmbH
Umfang: x, 138 S.
Erscheinungsdatum: 28.08.2021
Auflage: 1/2020
Produktform: Kartoniert
Einband: KT

This book studies how transgressions of the boundaries of life and death are represented in Japanese contemporary visual media. Specifically, the book examines three case studies: the manga Fullmetal Alchemist, the animated film Journey to Agartha, and the computer game Shadow of the Colossus. By addressing how this theme is constructed by three different media, the book focuses on the narrativization of Japanese ontological anxieties. The book argues that, although these texts deal with matters of afterlife through fantasy worlds, the content of their stories, the archetypes of their characters, and their existential journeys echo contextually-situated conversations. Matters of gender, societal structure and, most of all, the tensions between individuality and sociocentrism not only permeate but structure the interrogation of our relation to the afterlife. This book stands to contribute significantly to media studies, literary studies, comics studies, and Japanese studies. Miguel Cesar completed his PhD at the University of Edinburgh. He obtained his degree in History at the University Complutense of Madrid in 2013, an MSc in American Anthropology at the same university, and an MSc in Japanese Society and Culture at the University of Edinburgh. He is currently an independent researcher studying the role of contemporary Japanese visual media in the shaping of current discourses on individualism and community.

Artikelnummer: 2731857 Kategorie:

Beschreibung

This book focuses on the theme of the transgression of life and death boundaries through its representation in Japanese contemporary visual media, more specifically in the manga Fullmetal Alchemist, the animated film Journey to Agartha, and the computer game Shadow of the Colossus. By addressing how the theme was constructed by three different media and what these texts say about it, the book focuses on the narrativization of Japanese ontological anxieties. The book argues that, although these texts deal with matters of afterlife through fantasy worlds, the content of their stories, the archetypes of their characters, and their existential journeys echo contextually-situated conversations. Matters of gender, societal structure and, most of all, the tensions between individuality and sociocentrism not only permeate but structure the interrogation of our relation to the afterlife. This book stands to contribute significantly to media studies, literary studies, and Japanese studies.

Autorenporträt

Miguel Cesar completed his PhD at the University of Edinburgh. He obtained his degree in History at the University Complutense of Madrid in 2013, an MSc in American Anthropology at the same university, and an MSc in Japanese Society and Culture at the University of Edinburgh. He is currently an independent researcher studying the role of contemporary Japanese visual media in the shaping of current discourses on individualism and community.

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