Fairy tale interrupted

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Feminism, Masculinity, Wonder Cinema

ISBN: 3034320876
ISBN 13: 9783034320870
Autor: Craven, Allison
Verlag: Peter Lang
Umfang: 254 S.
Erscheinungsdatum: 21.12.2016
Auflage: 1/2016
Format: 1.4 x 22.5 x 15.5
Gewicht: 374 g
Produktform: Kartoniert
Einband: Kartoniert

Walt Disney Studio’s animated Beauty and the Beast (1991), and its live-action remake (2017) are considered with respect to post-feminism, the mythopoetic men’s movement, the crisis of masculinity, second-wave feminist constructions of masculinity and uses of myth and fairy tale in second-wave feminism.

Artikelnummer: 395048 Kategorie:

Beschreibung

Feminism, masculinity and fairy tale figure within an extended analysis of Disney's Beauty and the Beast (1991), in light of the live-action remake, Beauty and the Beast (2017). The history of the fairy tale Beauty and the Beast is compared with Disney's adaptation which centralises the figure of the Beast rather than the heroine, Belle. A flagship during a key period of Disneys corporate expansion in the early 1990s, in the first section of the book, the production is situated with respect to gender histories in the corresponding period: the rise of post-feminism, and its implicit disavowal of feminism, the mythopoetic mens movement and the crisis of masculinity. The following section canvasses views of masculinity in second wave feminism and the role of myth and fairy in key works of feminism. A critical discussion ensues of twenty-first century wonder cinema in which the influence of feminist ideas is seen to circulate within the pastiche treatments of fairy tales and enchantment.

Autorenporträt

Allison Craven is a Senior Lecturer in English and Screen Studies at James Cook University, North Queensland, Australia. She has published on Disney media, Australian cinema and children's literature in education. She is also the author of Finding Queensland in Australian Cinema, forthcoming.

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