Beschreibung
Source: Wikipedia. Pages: 23. Chapters: Agnes Börjeson, Amalia Lindegren, Amalia von Helvig, Amalia Wilhelmina Königsmarck, Anna Brita Sergel, Anna Brita Wendelius, Anna Gardell-Ericson, Anna Lang (harpsichordist), Anna Livia Löwendahl-Atomic, Anna Maria Ehrenstrahl, Anna Maria Hilfeling, Anna Maria Thelott, Annika Larsson, Charlotta Cedercreutz, Christina Charlotta Cederström, Christina Fredenheim, Ebba d'Aubert, Elin Wallin, Elisabeth Charlotta Karsten, Emma Fürstenhoff, Fanny Brate, Fredrika Eleonora von Düben, Frögärd i Ösby, Greta Knutson, Gustava Johanna Stenborg, Helena Sophia Isberg, Hildegard Thorell, Hilma af Klint, Hjördis Piuva Andersson, Ida Göthilda Nilsson, Josabeth Sjöberg, Lea Ahlborn, Lisa Erlandsdotter, Margareta Alströmer, Marianne Ehrenström, Maria Carowsky, Maria Johanna Görtz, Maria Röhl, Marie Antoinette Petersén, Nathalie Djurberg, Signe Hammarsten-Jansson, Sigrid Hjertén, Sofia Adlersparre, Sofia Ahlbom, Ulla Adlerfelt, Ulla Stenberg, Ulrika Melin, Ulrika Pasch, Viola Gråsten, Wendela Gustafva Sparre, Wilhelmina Krafft. Excerpt: Elin Kristina Wallin, born on December 29, 1884 in Gothenburg, died March 25, 1969 in Stockholm, was a Swedish artist and drawer. She was the wife of the Swedish artist David Wallin (1876-1957). Elin Wallin grew up in Ekersgatan 13 in Örebro. She was the daughter of the elementary school teacher Viktor Lundberg and his wife Anna Lundberg, born Kalling, Örebro, and sister to the famous damask weaver Carl Widlund and sister to Hilda Sofia (Hild) Zetterlind-Simonsen. She was the mother of the artist Bianca Wallin (1909-2006) and of the artist Sigurd Wallin (1916-1999). Althins målarskola (Caleb Althin's school of painting) in Stockholm. Photo from 1903. 4th from the right is Elin Wallin, born Lundberg (1884-1969).When she had left the girl's school in Örebro Elin Wallin went to evening courses at the Technical school in Örebro in 1901-1902. In 1902 she passed the examination as a needdlework mistress at Hulda Lundin's seminary in Stockholm and after that she continued her studies in 1902-1904 at Althins målarskola. Caleb Althin was the founder of Althin's school of painting, a private art school on Grevgatan 26 in Östermalm in Stockholm. For several decades the school played an important role, not least by preparing young artists for the Academy of Arts. And during the years 1902-1904 she studied in the evenings at the University College of Arts, Crafts and Design (in Swedish simply known as Konstfack) in Stockholm. Konstfack, sometimes also called Tekniska skolan, was at that time in the block of Beridarebanan in Norrmalm, between Klara kyrka and Hötorget. During two periods, in 1905-1906 and 1910-1911, she studied at the Académie Colarossi in Paris. The school Académie Colarossi even accepted female students and allowed them to draw from the nude male model. Colarossi was as an alternative to the government-sanctioned École des Beaux Arts that had, in the eyes of many promising young artists at the time, become far too conservative. Together with her husband David Wa
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