Beschreibung
Molière, often considered the godfather of Arab theatre, was first introduced to the Arab world in 1847 by Marun Naqqas and his adaptation of The Miser. Since then, Molière has never ceased to influence Arab dramaturgy. Discussing a series of plays by authors from Lebanon, Egypt, Tunisia and Morocco, this study aims at defining Molières role in the development of a national Arab theatre.
Autorenporträt
Angela Daiana Langone, Università degli Studi di Cagliari, Italy.