Philosophy in Stan Brakhage’s Dog Star Man

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World, Metaphor, Interpretation

ISBN: 3030124258
ISBN 13: 9783030124250
Autor: Baracco, Alberto
Verlag: Springer Verlag GmbH
Umfang: xviii, 144 S., 14 s/w Illustr., 32 farbige Illustr., 144 p. 46 illus., 32 illus. in color.
Erscheinungsdatum: 15.03.2019
Auflage: 1/2019
Produktform: Gebunden/Hardback
Einband: GEB

This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricoeurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage’s Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.

Artikelnummer: 6154866 Kategorie:

Beschreibung

Autorenporträt

Alberto Baracco conducts research on film, film philosophy and film ecocriticism at the University of Torino, Italy.

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