Digital Theatre

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106,99 

The Making and Meaning of Live Mediated Performance, US & UK 1990-2020, Palgrave Studies in Performance and Technology

ISBN: 3030556301
ISBN 13: 9783030556303
Autor: Masura, Nadja
Verlag: Springer Verlag GmbH
Umfang: xvi, 295 S., 2 s/w Illustr., 19 farbige Illustr., 295 p. 21 illus., 19 illus. in color.
Erscheinungsdatum: 23.10.2021
Auflage: 1/2020
Produktform: Kartoniert
Einband: KT

Digital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre performances which incorporate video projection, animation, motion capture and triggering, telematics and multisite performance, robotics, VR, and AR. Through examples from practitioners like George Coates, the Gertrude Stein Repertory Theatre, Troika Ranch, David Saltz, Mark Reaney, The Builder’s Association, and ArtGrid, a picture emerges of how and why digital technology can be used to effectively create theatre productions matching the storytelling and expressive needs of today’s artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded.

Artikelnummer: 2912129 Kategorie:

Beschreibung

Digital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre performances which incorporate video projection, animation, motion capture and triggering, telematics and multisite performance, robotics, VR, and AR. Through examples from practitioners like George Coates, the Gertrude Stein Repertory Theatre, Troika Ranch, David Saltz, Mark Reaney, The Builder's Association, and ArtGrid, a picture emerges of how and why digital technology can be used to effectively create theatre productions matching the storytelling and expressive needs of today's artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded.

Autorenporträt

Nadja Masura is a former MITH Fellow with degrees in Theatre from University of Maryland, Michigan, & Puget Sound, USA. She also holds degrees in Multimedia Authoring & Integration and Graphics Design. Nadja is a director, dramaturg, and artist and has worked in arts NPOs and the tech industry.

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