Beschreibung
This anthology examines how AI and Art History intersect across research, museums, pedagogy, and global perspectives, revealing potential and limits in the interpretation of visual culture. Chapters explore new models for art, artificialism, deskilling, prosumption, AIgenerated imagery, and questions of sentience, alongside studio-sourced datasets and representational tools. Museumfocused essays address AIs catalogue raisonné, curating algorithms, and explainable AI, while teachingfocused contributions analyze digital art history, computer vision, and TreeofThought prompting. Global case studies consider the colonial gaze, information literacy, cultural constraints of texttoimage generation and textprompted image retrieval. The volume highlights Art Historys leadership guiding critical, ethical, empathetic AI uses.
Autorenporträt
Leda Cempellin (PhD, Università degli Studi di Parma, Italy) is Professor of Art History at South Dakota State University, USA. Her interdisciplinary research spans late modernism, SoTL in Art History, Museum Studies, collaboration, metacognition, wayfinding, AI, and critical thinking. She is the author of The Ideas, Identity and Art of Daniel Spoerri (2017) and coeditor of Museum Studies for a PostPandemic World (2024), reflecting her focus on collaborative and transitional practices. Melissa Geiger is Associate Professor of Art History at East Stroudsburg University of Pennsylvania, USA. She studies major paradigm shifts in art, including the impact of photography and Rauschenbergs Experiments in Art and Technology. Her interdisciplinary approach led to cofounding the Paragone Society and codesigning its inaugural conference in collaboration with the University of Michigan, Flint Art Department and the Flint Museum of Art. Geiger also curates exhibitions and engages in communitybased arts initiatives.
Herstellerkennzeichnung:
Springer Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE
E-Mail: juergen.hartmann@springer.com
