Beschreibung
This volume, based on an online exhibition, takes an archaeological and art-historical perspective to delve into the diverse strategies used to visualize, transform, and creatively appropriate North Alpine antiquities in Early Modern printmaking. It focuses on the reciprocal relationship between identity building and artistic practice, which established the cultural significance of the works as carriers of aesthetic discourse and knowledge.
Autorenporträt
L. Di Carlo, A. Pawlak, and D. R. F. Richter, Tübingen University, Germany; J. Lipps, Mainz University, Germany.
