DreamWorks Animation

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106,99 

Intertextuality and Aesthetics in Shrek and Beyond, Palgrave Animation

ISBN: 303036853X
ISBN 13: 9783030368531
Autor: Summers, Sam
Verlag: Springer Verlag GmbH
Umfang: ix, 233 S., 1 s/w Illustr., 1 farbige Illustr., 233 p. 2 illus., 1 illus. in color.
Erscheinungsdatum: 01.07.2021
Auflage: 1/2021
Produktform: Kartoniert
Einband: Kartoniert

DreamWorks is one of the biggest names in modern computer-animation: a studio whose commercial success and impact on the medium rivals that of Pixar, and yet has received far less critical attention. The book will historicise DreamWorks‘ contribution to feature animation, while presenting a critical history of the form in the new millennium. It will look beyond the films‘ visual aesthetics to assess DreamWorks‘ influence on the narrative and tonal qualities which have come to define contemporary animated features, including their use of comedy, genre, music, stars, and intertextuality. It makes original interventions in the fields of film and animation studies by discussing each of these techniques in a uniquely animated context, with case studies from Shrek, Antz, Kung Fu Panda, Madagascar, Shark Tale, Bee Movie, Trolls and many others. It also looks at the unusual online afterlife of these films, and the ways in which they have been reappropriated and remixed by subversive online communities.

Artikelnummer: 2493075 Kategorie:

Beschreibung

DreamWorks is one of the biggest names in modern computer-animation: a studio whose commercial success and impact on the medium rivals that of Pixar, and yet has received far less critical attention.The book will historicise DreamWorks contribution to feature animation, while presenting a critical history of the form in the new millennium. It will look beyond the films visual aesthetics to assess DreamWorks influence on the narrative and tonal qualities which have come to define contemporary animated features, including their use of comedy, genre, music, stars, and intertextuality. It makes original interventions in the fields of film and animation studies by discussing each of these techniques in a uniquely animated context, with case studies from Shrek, Antz, Kung Fu Panda, Madagascar, Shark Tale, Bee Movie, Trolls and many others. It also looks at the unusual online afterlife of these films, and the ways in which they have been reappropriated and remixed by subversive online communities.

Autorenporträt

Sam Summers lectures in animation history and theory at Middlesex University, UK, specialising in computer animation, aesthetics, intertextuality and the Hollywood animation industry. As well as publishing several articles and book chapters on these topics, he is the co-editor of Toy Story: How Pixar Reinvented the Animated Feature (2018).

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E-Mail: juergen.hartmann@springer.com

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