Alain Locke’s ‚Enter the New Negro‘. Pivotal for a BLACK* identity in the 1920s?

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17,95 

ISBN: 3668706077
ISBN 13: 9783668706071
Autor: Christ, Ayebatonyeseigha
Verlag: GRIN Verlag
Umfang: 24 S.
Erscheinungsdatum: 15.05.2018
Auflage: 1/2018
Format: 0.3 x 21 x 14.8
Gewicht: 51 g
Produktform: Kartoniert
Einband: KT
Artikelnummer: 5248843 Kategorie:

Beschreibung

Seminar paper from the year 2018 in the subject History - America, grade: 1,3, University of Kassel (Amerikanistik), language: English, abstract: Identity. A word that defines our whole being as humans. Psychoanalytics in the likes of Sigmund Freud and Erik H. Erikson have asked themselves this very question, what is identity and how does it affect us as humans? Whilst identity has been beneficial for certain groups on earth, this hasnt been the case for African Americans in the 19th and 20th century, as the trail-blazing cultural theorist Stuart Hall, in his inimitable way disputes it in "Cultural Identity and Diaspora". The identity of African Americans overall in the American Society has always been dictated by the majority society who were mostly white. The identity of African Americans was solely depicted in a negative light. With their new-found freedom, African Americans were bound to change the narrative of their thitherto identity, through their own efforts and making. Hence was born a literary movement, "Enter the New Negro" by the philosopher Alain Locke. In this term paper, an attempt is being made with the help of the book "Enter the New Negro" by Alain Locke to find out if his writings were pivotal for shaping the identity of African Americans in the arts and in the media during the 1920s.

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