Beschreibung
Considers the misappropriation of African American popular culture through various genres, largely Hip Hop, to argue that while such cultural creations have the potential to be healing agents, they are still exploited -often with the complicity of African Americans- for commercial purposes and to maintain white ruling class hegemony.
Autorenporträt
Dr. Kimberly Brown, Alabama State University, USA Kawachi Clemons, Florida A & M University, USA Ronald L. Jackson, II, University of Cincinnati, USA Dr. Carlos D. Morrison, Alabama State University, USA Dr. Abena Lewis-Mhoon, Coppin State University, USA Jamal L. Ratchford, University of Indianapolis, USA Diarra Osei Robertson, Bowie State University, USA James B. Stewart, Penn State, USA David Taft Terry, Morgan State University, USA
Herstellerkennzeichnung:
Springer Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE
E-Mail: juergen.hartmann@springer.com
