The Moses Complex

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44,95 

Freud, Schoenberg, Straub/Huillet

ISBN: 303734623X
ISBN 13: 9783037346235
Autor: Holl, Ute
Verlag: diaphanes verlag
Umfang: 332 S.
Erscheinungsdatum: 15.12.2016
Format: 2.7 x 23.1 x 17.5
Gewicht: 839 g
Produktform: Gebunden/Hardback
Einband: GEB
Artikelnummer: 8752673 Kategorie:

Beschreibung

Moses has long been a source of modern fascination. For Sigmund Freud and psychoanalysis, Moses was a particularly fruitful subject for the study of memory and historiography. He also held great interest for the visual and performing arts. In the 1920s and 30s, the composer Arnold Schoenberg wrote the three-act opera Moses and Aron . First performed just a few years before his exile to the United States, it required that its audiences distinguish voices from forceful background noise, just as Moses had to confront the burning bush before he could hear the voice of God. In 1974, filmmakers Jean-Marie Straub and Danièle Huillet created an avant-garde cinematic adaptation of Schoenbergs opera that continued the composers examination of the established hierarchies of seeing and hearing. In The Moses Complex , Ute Holl analyzes these major works in detail and deep historical context, synthesizing the complex models of resistance to explore the relationships among media, migration, and politics. Since Moses descended from Sinai with the tablets inscribed with the Ten Commandments, new media and new laws have often emerged simultaneously. Liberation, in particular, has been negotiated through many different cultural media, with psychoanalysis, music, and cinema all describing exodus and exile as a process of force. Offering a dynamic and comprehensive political and cultural theory of migration and violence, The Moses Complex speaks equally well to psychoanalytic, musical, and cinematic thinking as it does to our tendency toward violence in the treatment of migrants today.

Autorenporträt

Ute Holl ist Professorin für Medienwissenschaft an der Universität Basel. Zu ihren Forschungsschwerpunkten gehören Medienästhetik und Wahrnehmungstheorien, mediale Anthropologie und experimentelles Kino, sowie Kinosound und Elektroakustik. Sie ist Autorin mehrerer Bücher.

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